Judith Seligson
Skip to main content
  • Menu
  • Home
  • About
  • Artworks
  • Exhibitions
  • Press
  • Contact
  • Paintings in Places
  • Videos
Menu

Artworks

Open a larger version of the following image in a popup: Judith Seligson, Hard Work, 2001 Hard Work, dated 8.22.01
Open a larger version of the following image in a popup: Judith Seligson, Hard Work, 2001 NYC apartment, 2013, Bruce Buck for the New York Times
Open a larger version of the following image in a popup: Judith Seligson, Hard Work, 2001 The Way I Want It, Hard Work at Archival Arts Services
Open a larger version of the following image in a popup: Judith Seligson, Hard Work, 2001 Going Green, Hard Work
Open a larger version of the following image in a popup: Judith Seligson, Hard Work, 2001 L'Embranchement, Change is Good, Road to Heaven, Hard Work

Hard Work, 2001

oil on gessoed rag board
23 x 20 inches
Enquire
%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EHard%20Work%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2001%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eoil%20on%20gessoed%20rag%20board%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E23%20x%2020%20inches%20%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Thumbnail of additional image
  • (View a larger image of thumbnail 2 ) Thumbnail of additional image
  • (View a larger image of thumbnail 3 ) Thumbnail of additional image
  • (View a larger image of thumbnail 4 ) Thumbnail of additional image
  • (View a larger image of thumbnail 5 ) Thumbnail of additional image
'I had been painting on rag board since the 1970's. I loved the feel of graphite on the paper, the subtle responsiveness of these ancient tools. But I was tired...
Read more
"I had been painting on rag board since the 1970's. I loved the feel of graphite on the paper, the subtle responsiveness of these ancient tools. But I was tired of looking at my paintings under glass. Normally, works on paper are mounted under glass, to protect them from moisture. This painting from 2001 was painted on gessoed rag board adhered to Dibond, a substrate that Bill Butler at Archival Arts Services in Washington, DC and I invented. Our method sealed the entire surface, preventing moisture damage and obviating glass. At some point though I transitioned to drawing and painting on rigid gessoed panels." jts
Close full details
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
58 
of  71
Manage cookies
Copyright © 2025 Judith Seligson
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences